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David Dupuis

Visual Artist
Born Holyoke, MA, 1959
Lives in New York, NY

There was a small chain reaction which could have developed into a minor nightmare, but the grant enabled me to keep pace... There is one thing that I most appreciated. It was wonderful to have a group of people in the art community, apart from the commercial sphere, select my work for praise and support. That gave me a sort of mental and emotional boost, or kick in the pants, if you will, which is still felt a year later.

David Dupuis, May 5, 2000

Biography

David Dupuis is a surrealist-symbolist artist who works in a variety of mediums, including graphite, colored pencil, and collage on paper. His works often feature evocative surreal landscapes and biomorphic forms.

Since receiving his Grants to Artists award, Dupuis has had numerous solo exhibitions at Derek Eller Gallery, where he premiered a series of self-portraits that explored themes of death and the body in 2006. In 2012, his work was exhibited in Utopia/Dystopia: Construction and Destruction in Photography and Collage at the Museum of Fine Arts Houston and It's Always Summer on the Inside at Anton Kern Gallery.

Dupuis' work has been the subject of solo exhibitions at White Columns and Schmidt Contemporary in Los Angeles. His work has been included in group exhibitions at the New Museum, MoMA PS1, the Rubin Museum of Art, apexart, Paula Cooper Gallery, Paul Kasmin Gallery, Matthew Marks Gallery, and Andrea Rosen Gallery. Dupuis' work is included in public collections at the Whitney Museum of American Art, the New Museum, the Hammer Museum in Los Angeles, The New School for Social Research, and the San Francisco Museum of Modern Art.

In 1982 Dupuis received a B.F.A. in Art and a B.A. in Theater at the University of Washington, Seattle. He also attended the Skowhegan School of Painting and Sculpture the same year.

Artist Statement

I consider myself to be an aesthetic nomad. I attempt to make art out of the greater and smaller themes of my day-to-day existence. The changing forms of my work are a visual diary of things I may not understand, yet know intimately, or of things I am unable to, or dare not speak of with words. I want to create a playful intimate arena to invite an individual viewer to project their thoughts and desires upon.

1998