Grant Recipients Grants to Artists Performance Art/Theater 2007

Clarinda Mac Low

A side angle portrait of Mac Low looking up and towards the distance in front of a white wall. She has short brown hair and wears a green sweater, red scarf, and herringbone coat.
Photo by Ian Douglas.
  • 2007 Grants to Artists
  • Performance Art/Theater
  • Performance Maker, Writer
  • Born New York, NY, 1966
  • Lives in New York, NY
  • Additional Information

2007 was an amazing year for my art-making. As often happens, the FCA [grant] was followed by other excellent support, and I ended up making three major pieces in the first half of the year, all of them substantial developments in my practice...

- Clarinda Mac Low, January 12, 2008

Artist Statement

My work investigates intimacy and community, leading the audience on a journey of discovery, and excavating the lost, the forgotten and the overlooked. I explore hot subjects through a cool lens, using the scientific method to expose the ways we exist physically with each other, with technology, with architecture, and with history. I often take on issues of historical memory, keeping the past alive in the present by parsing our relationship to information and objects.

The iterations of these explorations put the emphasis on experience, involving the audience in an active decision-making process. I use whatever tools are needed at the time, including physical interaction, directed wandering, technological mediation, unscripted conversation, and imaginative play, often creating installations and interventions in unusual spaces. Collaboration and participation are cornerstones of my methodology; I often organize large groups of creative people of all ages around a single idea. I believe that momentary interactions, framed in the right way, can incite spontaneous community and create unusual alliances and new modes of thought. Recent experiments include copyright questions via orphaned creative works, dance-concerts-as-ethnography (complete with data analysis), a Cyborg interlocutor that acted as a connection between human and machine worlds, public interventions that literally carry people away, and a roving natural history research tour of North Brooklyn.

I believe that part of my job as an artist is to nurture other artists and encourage creativity in all different types of people, and I am committed to creating innovative dialogues across all creative disciplines. I do this through formal and informal teaching and mentoring, and through Culture Push, an organization I created with artists Arturo Vidich and Aki Sasamoto. Culture Push runs programs that encourage participation and face-to-face interaction as an integral part of an ongoing cultural dialogue.

- December 2014


Clarinda Mac Low began working in dance and molecular biology in the late 1980s and now works in performance and installation. Her choreographic works are often participatory events that involve collaboration and site-specific creations.

Mac Low's 2007 Grants to Artists award supported the production of MURDER is a habit that REMORSE cannot cure (2007), a work-in progress version of DAGGERSalvage/Salvation 5: ARISE (2007); and Tryst: Security Zone (2007)Her works subsequent to her 2007 FCA grant include TRYST: Sign Language (2009), TRYST: River to Creek (2010), TRYST: Assisted Street Crossing: KUOPIO (2011), TRYST: Assisted Street Crossing: Portugal (2013), a series of performance interventions into everyday life; Cyborg Nation (2009), a public conversation on the technological body and the nature of intimacy; The Year of Dance (2012), an anthropology of the New York City dance world; and Free the Orphans (2014), a project based around creative work with unknown copyright holders.

Mac Low's works are often site-specific, but before she received her 2007 FCA grant, her work had been presented in New York at Danspace Project (1991, 1992, 1996, 2012), Performance Space 122 (1992, 1994, 2001), The Kitchen (1997, 2008), chashama (2003), and Lower Manhattan Cultural Council's Sitelines Festival (2004, 2007).

Since receiving her 2007 FCA grant, Mac Low was awarded a Franklin Furnace Fund for Performance Art grant (2010); she was also a guest at Yaddo and Mount Tremper Arts in 2012. Prior to her 2007 Grants to Artists award, Mac Low had been a MacDowell Fellow (2000), she received a BAXten Award (2004), and she was a Dance Theater Workshop Artist Resource and Media Fellow (2004-2005).

Mac Low earned a B.A. in Dance and Molecular Biology from Wesleyan University in 1987 and an M.F.A. in Digital and Interdisciplinary Arts Practice from the City University of New York in 2014. She is Executive Director of Culture Push, a cross-disciplinary organization encouraging hands-on participation and strong hybrid ideas.

Mac Low performs, standing with her hand raised above her head, looking towards it. She wears all black and has black straps across her head. On the wall behind her, there is a orange tinted projection of a close up of her face.
Performance still from FCA-supported MURDER is a habit that REMORSE cannot cure, 2007. Photo by Carolina Kroon.
Mac Low performs, sitting behind a glass partition with a microphone in front of her. She raises her arms above her head and look intently forwards. Behind her, there are mailboxes and a fire hydrant. Audience members watch her from the opposite side of the glass partition.
Performance still from FCA-supported MURDER is a habit that REMORSE cannot cure, 2007. Photo by Carolina Kroon.
A long mesh orange cloth with
From FCA-supported Salvage Salvation Part 5: ARISE, 2007. Banner by Paul Schifino.
An installation image of a white room with the paint chipping off the walls. Opened paperback books hang suspended from the ceiling. On the far wall, one open book hangs with spoons above and below it.
From FCA-supported Salvage Salvation Part 5: ARISE, 2007, Susan Englert Installation.
Mac Low performs in a city street. She is wrapped in white tulle and blue plastic and stands on top of a box wrapped in the same material. In one hand she holds a ball of yarn and in the other hand, she holds a black umbrella with
From FCA-supported TRYST Security Zone, 2007. Photo by Debbie Veldman.
FCA-supported MURDER is a habit that REMORSE cannot cure, 2007.